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Reaction
This book will examine key works to explore how they have illuminated media and culture at their moment of making and how they continue to inform present critical thinking around “watching” technology, culture, and the dynamics of popular culture.
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Hondalea
Cristina Iglesias – Hondalea documents a remarkable work realized by one of the world’s leading sculptors in the city where she was born.
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In Plain Sight
Tavares Strachan: In Plain Sight is the first major book on the artist to be published since 2014. Focusing on his extraordinary exhibition at Marian Goodman Gallery London in 2020, this hardcover book features a lenticular print on the cover and over 120 full color images. The book includes a new and insightful text by esteemed writer and art critic Adrian Searle.
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Poems of Our Climate
Drawing on avant-garde cinema and found photographs, Saunders’s multimedia works explore the mobility and affective power of images.
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Monet Hates Me
This book expands on the aleatoric process of research behind Tacita Dean's artist's edition Monet Hates Me (2021), which has been designed as 'an exhibition in a box'.
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Liquid Sculpture
This book surveys Spanish artist Cristina Iglesias’ immersive environments, which bridge architecture, literature and culturally site-specific influences.
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Note(s): Work(ing) Process(es) Re: Concerns (That Take On / Deal With)
Originally created in 1977 as a single handmade copy, Note(s): Work(ing) Process(es) Re: Concerns (That Take On / Deal With) gathers sketches, writings, diagrams, contact sheets, and proposals for eight early video works.
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Side Leaps
This new volume features numerous illustrations released exclusively from the artist’s archives, as well as a panoramic essay on Baghramian’s sculptural practice by art historian and curator Miwon Kwon, and a new conversation between the artist, Marian Goodman and Philipp Kaiser, Chief Executive Director of Artists & Programs at the gallery.
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Archive, Matrix, Assembly
Archive, Matrix, Assembly: The Photographs of Thomas Struth 1978-2018 presents the first comprehensive, systematic theory of contemporary German artist Thomas Struth's main body of photographic work from its beginnings in the late 1970s until his most recent work in 2018.
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An Island Is A Circle
An Island Is A Circle spans the various bodies of work Gabriel Orozco created whilst living in Bali, Indonesia (2017-2019). The book’s design was closely overseen by the artist himself and is profusely illustrated with images of drawings, paintings and the limestone Dés sculptures made in collaboration with professional artisans in Bali.
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America Señores Naturales
America Señores Naturales retraces the history of one of Lothar Baumgarten’s most famous site-specific interventions from 1984, Señores Naturales, and uses it as a point of departure to explore some of the key concepts that have shaped his oeuvre.
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Multiples, Inc. was an art publishing company founded in 1965 by a group of five partners, including gallerist Marian Goodman. During its existence, Multiples, Inc. published seminal editions with some of the most important artists of the 20th century over a period of almost three decades between 1966 and 1992.
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The first book to explore the fascinating career and fantasy-driven worlds created by the acclaimed Argentinean artist.
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From the Series Brick Farm
While exploring the outskirts of his hometown of Rosario, Adrián Villar Rojas came across a traditional brickyard where handmade bricks had been produced in the same way for a hundred years.
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Written Matter
Written Matter presents selections from the notebooks of Gabriel Orozco. These texts, sketches, and images from notebooks spanning 1992 to 2012 offer insights into Orozco's artmaking process, revealing his thinking, methods, and rationales.
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Deeply Unaware
Published on the occasion of her latest exhibition at Galerie Marian Goodman, Paris, this catalogue features Moritz's latest body of abstract paintings.
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Catalogue Raisonné Volume One: 1956-1974
This is the first of a multivolume catalogue raisonné documenting John Baldessari's paintings, works on paper, sculpture, photographs, and performance-based works.
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Catalogue Raisonné Volume Two: 1975-1986
Compiling 400 plus unique works of art, this volume traces the shifts and developments in conceptual artist John Baldessari's work from 1975-86.
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Volume Three: 1987-1993
The third volume in the project compiles 400-plus unique works of art made by Baldessari from 1987 through 1993.
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Volume Four: 1994 - 2004
The fourth volume of the series comprises approximately 370 works that represent the activity of this iconic conceptual artist between 1994 and 2004.
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Volume Five: 2005 - 2010
This volume covers six years, from 2005 - 2010, in which Baldessari created a total of 361 unique works-comprising eight discrete series, most with multiple parts or, to borrow a musical phrase, "movements."
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Catalogue Raisonné, Volume Six: 2011-2019
The sixth and final volume of this exceptional catalogue raisonné project features over 360 works made by John Baldessari (1931-2020) between 2011 and 2019. This volume also surveys Baldessari's complete film and video output, from 1968 to 2004, as well as the artist's books he made, from 1972 to 2019.
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Notebook
Beautifully bound hardcover notebook with red linen cover, plain white paper, and side stitching within. Cover image features the image of Ensemble Together (2012) by Annette Messager.
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Notebook
Beautifully bound hardcover notebook with white linen cover, plain paper, and side stitching within. Cover image features a detail from The Story of the Lemon that Grew Hair (1991/2004) by Tacita Dean, made up of 6 color Cibachrome prints.
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Ou Le Fil D'Occam
Published on the occasion of an exhibition at Galerie Marian Goodman in Paris in 2018. This exhibition pays tribute to one of the most radical figures of the second half of 20th century art.
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A Manifesto for Queer of Color Life
After the Party tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation. Through the exemplary work of Nina Simone, Jorge Ignacio Coriñas, Danh Vo, Felix Gonzalez-Torres, and Tseng Kwong Chi, and with additional appearances by Nao Bustamente, Audre Lorde, Martin Wong, Assata Shakur, and Nona Faustine, After the Party considers performance as it is produced within and against overlapping histories of US colonialism, white supremacy, and heteropatriarchy.
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The Theater of Disappearance
Published on the occasion of the exhibition Adrian Villar Rojas: The Theater of Disappearance at the Museum of Contemporary Art, Los Angeles, October 22, 2017 - May 13, 2018.
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Metonymy
An extensive monograph on the artist's work, Metonymy was published on the occasion of a major exhibition organized by the Museo Reina Sofía in Madrid which ran from February 6 - May 13, 2013.
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Grey Paintings
With a poem by Patricia Smith and a new essay by artist Glenn Ligon, Grey Paintings focuses on Julie Mehretu's work from 2012-2017.
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Published on the occasion of the exhibition Animality, exhibited at Marian Goodman Gallery, London in 2016.
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Storm
The first volume of this beautifully designed two-part publication presents Moritz' newest series, Storm, arising from a longing for nature. The second volume, Dawn, contains new pictures and drawings in which apparently unrelated motives such as lab rooms, ships and dogs are combined with the artists first, abstract works.
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Rotating Objects
Rotating Objects documents the first major body of work Gabriel Orozco created after taking up residence in Tokyo, Japan in 2015. The book includes an essay by art historian, critic and curator, Briony Fer.
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Paintings and Drawings
Published for the 2016 exhibition at Marian Goodman Gallery in New York, this catalogue features abstract works produced between 2014 and 2015.
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More Sweetly Play the Dance
In this publication, William Kentridge shares the genesis of the major piece More Sweetly Play the Dance. Accompanied by photographs taken during the workshop held at his studio during the production, Kentridge gives a unique insight into the background, preparation and recording of the work.
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The Dark Matter of Media Light
Published on the occasion of the first major retrospective of Dara Birnbaum's work. Since the 1970s Dara Birnbaum has been studying and making art about mass media. Her videos and installations often focus on the way we look at political events and how we are influenced and manipulated by images, television, and the media in general.
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Ecologies of Drama
This is the first anthology of the literature on Ahtila and includes the full scripts of all 14 of the artist's film installations. With re-printed essays by Mieke Bal, Daniel Birnbaum, Elisabeth Bronfen, Alison Butler, Kaja SIlverman and Cary Wolfe; and interviews with the artist.
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This catalogue is a record of 3 consecutive solo exhibitions held at Marian Goodman Gallery, New York from January through June 2015 of work by Arte Povera artists Giulio Paolini, Giuseppe Penone and Luciano Fabro.
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Documenta IX, 1992 | Marian Goodman Gallery, 1993
This catalogue includes two essays by Benjamin H.D. Buchloh. In one, he explores the cabinet Richter designed for Documenta and in the other the body of abstract works exhibited at Marian Goodman Gallery in 1993.
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A History Painting by Gerhard Richter
This book offers an in-depth study of the painting Richter made three years after the 9/11 terrorist attack in New York. Critic and curator Robert Storr explores both the painting and the event itself, through a very personal account of his experience in New York on the day of the attacks.
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2005
Published on the occasion of Richter's 7th exhibition at Marian Goodman Gallery, New York in the winter of 2005. The exhibition included works made between 2001 and 2005, including two important cycles of new paintings, as well as individual paintings, and a series of large-format drawings rare in scale and the first of their kind since the appearance of the 1999 catalogue raisonné of the drawings, Gerhard Richter: Drawings 1964-1999.
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This publication accompanied the show of the same name exhibited at Marian Goodman Gallery in 2006 and curated by Catherine de Zegher. The exhibition considered the departure of the line from the paper surface and its venture into space, and juxtaposed drawings made without paper (as Gego titled them) and instead with wire and thread by artists in the late sixties and early seventies with contemporary drawings.
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Images of an Era
This volume presents and describes 50 of the artist’s works with essays by leading Richter experts. It also includes personal testimonials in previously unpublished letters as well as a conversation between Gerhard Richter and Richter expert Uwe Schneede.
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Portraits
This 1990 exhibition at Marian Goodman Gallery, New York marked Thomas Struth's entrée into group portraiture.
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Musée D'art Moderne, Departement Des Aigles, Section Publicite
A part of the fictive museum Broodthaers created and promoted from 1968 to 1972, Section Publicité uses the figure of the eagle that transcends time and cultures, exploring its place, not in the history of art, but in the history of publicity.
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Published on the occasion of Giulio Paolini’s exhibition at Marian Goodman Gallery, New York. In the booklet's essay, Craig Owens underlines the artist’s play on the gaze—a key component of any relevant self-portrait—that is erased or obstructed by the artist’s expert mise en scène.
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Richard Deacon’s sculpture reveals a highly complex vocabulary. Describing himself as a “fabricator” Deacon works with a variety of materials including with metals, plastics, wood amongst others. In his text, Peter Schjeldahl explores the artist’s poetry, discussing Deacon's concern for the subtleties of language.
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For Publication
The second edition of a catalog originally published by the Otis Art Institute of Los Angeles County in 1975, For Publication reproduces a series of Dan Graham's projects from the 1960s that both drew from and were made to be inserted into the mass media.
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Models to Projects 1978 to 1995
Published for his 1996 exhibition at Marian Goodman Gallery in New York, this catalogue offers a detailed explanation of Dan Graham’s three-dimensional work.
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