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Alongside numerous plates, this catalogue focuses on one of the artist's last works, the monumental steel sculpture Derailment (2001). Also included in the catalogue, Michael Brenson’s essay discusses how Muñoz systematically favored a logic of contrast.
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Tetrad Series
John Baldessari presented the Tetrad Series for his first exhibition with Marian Goodman Gallery in the Spring of 1999.
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Films
This second edition focuses on eight early film and slide pieces by Dan Graham. The book includes text in both English and French and was originally published by the Éditions Centre d'art contemporain and Écart Publications, Genéve in 1977.
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Photographs 1975-1980
Published on the occasion of the inaugural exhibition of Woodman's work at Marian Goodman Gallery. The book includes a text by Benjamin H. D. Buchloh and a foreword by writer and friend of the artist, Betsy Berne.
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Noses & Ears, Etc. (Part Two)
Simultaneously both photography and painting, John Baldessari’s Noses & Ears, Etc. (Part Two) series continues his exploration into the balance between these two medias.
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A Selection of Forty Artists from Thirty Years at Marian Goodman Gallery
Published on the occasion of the gallery's 30th anniversary. This major catalogue includes an interview between Lynne Cooke and Marian Goodman, as well as one between Jean-François Chevrier and Marian, an essay by Benjamin H.D. Buchloh and a chronology of 30 years of exhibitions at Marian Goodman Gallery.
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Arms & Legs (Specif. Elbows & Knees), Etc.
In his essay for this catalogue, Régis Durand explores the synesthetic dimension of Baldessari's fragmented inventory of body parts on bright-colored backgrounds, echoing Bach's fugues and preludes.
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Raised Eyebrows/Furrowed Foreheads
In this body of work Baldessari uses acrylic paint to isolate, enhance and rework facial features taken from fragmented photos, exploring the relationship between the two mediums.
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Section Cinema (Part II)
Section Cinéma, 1972, comprised the seventh section of Broodthaers' celebrated museum, Musée d'Art Moderne, Département des Aigles, a major achievement of his life's work, founded in 1968 with the Section XIXème siècle in Brussels and other sections realized in Brussels, Antwerp, Zeeland, Le Coq, Düsseldorf and Kassel during a four year period from 1968 to 1972.
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Published on the occasion of Struth's exhibition at Marian Goodman Gallery in 2010, in which Struth turned his focus to technological apparatuses around the world.
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Corplegados and Particles
This book was published on the occasion of an exhibition by the same name held at Marian Goodman Gallery, New York in 2011. For this exhibition Orozco presented two new major bodies of work, first the Corplegados, a series of large format drawings realized over the course of a number of years.
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Painting 2010-2011
Published on the occasion of the exhibition that took place at Galerie Marian Goodman in Paris, this catalogue includes two abstract series by Gerhard Richter.
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Strip Paintings
Published on the occasion of the exhibition that took place at Marian Goodman Gallery in New York in 2012, this catalogue includes two essays by art critic Benjamin Buchloch—Gerhard Richter: Glass Insurrection and The Chance Ornament: Painting Progress Painting Loss.
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Limbo 2013
With Limbo, Sabine Moritz offers a very personal vision of the representation of war. Focusing on recent events like the Iraq war, and their emblematic weapons such as the helicopter, she explores the technological and ideological subtleties “new wars” have brought.
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Liminal Squared
Through a large selection of color plates and close-ups, this catalogue offers a remarkable study of some of the artist’s monumental abstractions. The book starts with a text by artist Tacita Dean, which underlines the decisive role played by Julie Mehretu’s personal history, at the crossroads of Ethiopian and American cultures.
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I'm trying my hand at fashion photography
Published on the occasion of the exhibition Francesca Woodman: I'm trying my hand at fashion photography at Marian Goodman Gallery, New York February 12 - March 13, 2015.
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Juan Muñoz’s (1953-2001) influence on contemporary sculpture has been immense. The 2015 exhibition at Marian Goodman Gallery pays tribute to an artist who shed new light on the way to make, think and exhibit sculptures.
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Alternate Stories
Francesca Woodman: Alternate Stories presents over forty vintage photographs by the pioneering American photographer, many of which have never before been seen.
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